Chinese sculpture art market but is hot, but the contemporary sculpture art in backwards, loss of culture are not deep, lack of money and the standard of value, utilitarian China carving art industry is facing the reality of the problem.

Loss of cultural heritage is not deep value standard.

The first point is most practitioners only master a technology to make a living, there is no strong culture, cannot make thorough research, need an industry leader for the cultural accumulation contribution. In addition many art has many errors, such as blind innovation, too. Chinese ancient art full of profound connotation, pursuit of material temperature can reflect the ancient philosophy, and many contemporary practitioners of traditional culture inheritance too shallow, critique, and collectors do not understand the standard of value, cannot be effectively constrained practitioners.

Contemporary sculpture art backwards

The traditional Chinese arts and crafts creation by collectors, scholars, craftsmen three party cooperation generated, i.e. collectors request, provide resources, literati" style" design, artisans responsible for specific operations. China Contemporary Arts and lack of creativity, technology division of" style" dependence is too high, from the" style" is not creation, this is also the current sculpture forms more representational origin, technology division due to the lack of thought and creativity, can only rely on the copy, making what they see," realism" therefore stately become their" style" source.

Qin Han from the rough to the Ming and Qing Dynasties and elaborate, is abstracted from concrete process gradually, the East-West sculpture art development direction opposite. Western sculpture from initially only stone as carrier, the experience gradually stone beauty, that the stone has its own language, with people exchanges, and the traditional Chinese art was to promote harmony between man and nature, contemporary sculpture art because of excessive pursuit of figurative, manifesting complicated, ignored the stone natural expression.

China Central Academy of Fine Arts professor Gong Jisui call a spade a spade, pointed out directly from abstract to concrete is a contemporary Chinese sculpture art backwards, to the current domestic carving level are not satisfied, waste a lot of precious materials, and points out, Chinese Contemporary Arts and crafts creation depends on the integration of resources, namely, collectors, writers, technicians three party cooperation, confined to master of Arts and crafts in the circle is no way out.

Money and utilitarian

Art history to arts and crafts for the origin of contemporary Chinese sculpture, cannot be separated from other artistic categories, each class need to learn from each other, draw nutrition, but can not rely on imitation, to have his own art language. Art creation requires a solid basic skills, excellent creative themes, wonderful artistic effect, needs to have good technology as the support, cannot neglect the basic learning. In addition, the current social environment for artists to provide a very excellent material basis and social status, but the art achievements are often born to Jian Zhijing no utilitarian creation process, the artists in this environment is to put the artistic relationship with money.

In numerous and confused industry status quo, in Contemporary Chinese stone carving art development direction in He Fang, how to find a Chinese contemporary artistic way to rise, also need to explore, will be a long and complicated problem.